الجمعة، 30 سبتمبر 2011
Darren Baker
Darren Baker
has received commissions from many of the leading galleries, companies and personalities in the UK. His work has been exhibited widely through North America, Japan, Europe and the UK and in London it is accepted by both The Royal Academy and Mall Galleries. Darrens paintings hang in private and public collections both in the UK and abroad. Cranston Fine Art have published a superb range of sport art prints and canvases. In the words of Darren himself: Painting is my life force and my work is wrought from an unswerving desire to understand paint, art and the subjects I observe. My work owes much to the great exponents of still life and portraiture. Classical tradition underpins my painting and vision. Every new piece is a statement of intent: to improve and to better understand the subject. My studies and observations of the old masters inspire and inform my art, whilst also relying heavily on contemporary influences. I aim to be of my own time whilst also acknowledging the past
اغلب رسومه تقتصر على الطبيعة الصامتة ورسم الشخوص
الأربعاء، 28 سبتمبر 2011
Mell Odom
Melvyn Lee Odom was born in Richmond, Virginia, and grew up in the tiny tobacco town of Ahoskie, North Carolina. The second son of William and Ethel Odom, Mel discovered his passion for art at the age of three. By the age of seven, Mel had convinced his indulgent parents to send him to his first drawing classes with a local artist.
In 1972, Mel completed his Bachelor’s Degree in Fine Arts in Fashion Illustration from Virginia Commonwealth University. Following graduation, Mel worked the graphics department of Leeds Polytechnic Institute in England for a year and a half. Upon returning to the United States and Richmond, Virginia, Mel worked on an illustration portfolio, in anticipation for his move to New York, New York, in 1975. Mel’s work appeared in a wide variety of magazines, such as Time, Rolling Stone, and Blue Boy. But Mel’s favorite work was his regular contributions to Playboy. His illustrations earned him multiple awards from The Society of Illustrators and other graphics and illustration organizations.
Mel’s style spread internationally through book covers for major publishers, a line of Paper Moon cards and posters that ultimately triggered the publishing of his first book, First Eyes, in Japan in 1982. Two years later, a re-edited book of his work, Dreamer was published by Viking-Penguin, featuring a forward by Edmund White. Mel also worked on art projects, including limited edition lithographs for publisher Eleanor Ettinger and more tellingly, three-dimensional masks
In 1991 Mel channeled his passion for dolls into his own design, Gene Marshall, a sultry movie star doll from the film noir 1940s era. After several years of private development, Gene Marshall was licensed and manufactured by Ashton-Drake Galleries and introduced at the 1995 Toy Fair. Gene was an immediate sensation in the doll world, and within months was second only to Barbie in the burgeoning on-line chat rooms for fashion doll collectors. She was voted by collectors the most important doll since Barbie
In 1999, Hyperion Press commissioned Mel to write and illustrate Gene Marshall’s biography. Gene Marshall, Girl Star was published in 2000 and established Gene as a bona fide three-dimensional character, complete with family tragedy and a believable classic Hollywood bitch rival, Madra Lord. Miss Lord became the second doll in a line that eventually grew to include seven characters. In 2006, the license for Gene was transferred into the capable hands of Integrity Toys where Gene flourished until 2010. Upon Gene’s 15th year in the doll market she “retired” in order to allow Mel the time to focus on other projects.
Also in 2006, Mel renewed his work with Secrets Garden, a series of human-scaled oil portraits of mostly Civil War era dolls, refocusing his interest from the business of dolls back to their esthetics. These paintings are his first two-dimensional work not related to Miss Marshall since the mid-1990s, reflecting his lifelong interest in the mystique of objects that look like life, yet are not
In 1972, Mel completed his Bachelor’s Degree in Fine Arts in Fashion Illustration from Virginia Commonwealth University. Following graduation, Mel worked the graphics department of Leeds Polytechnic Institute in England for a year and a half. Upon returning to the United States and Richmond, Virginia, Mel worked on an illustration portfolio, in anticipation for his move to New York, New York, in 1975. Mel’s work appeared in a wide variety of magazines, such as Time, Rolling Stone, and Blue Boy. But Mel’s favorite work was his regular contributions to Playboy. His illustrations earned him multiple awards from The Society of Illustrators and other graphics and illustration organizations.
Mel’s style spread internationally through book covers for major publishers, a line of Paper Moon cards and posters that ultimately triggered the publishing of his first book, First Eyes, in Japan in 1982. Two years later, a re-edited book of his work, Dreamer was published by Viking-Penguin, featuring a forward by Edmund White. Mel also worked on art projects, including limited edition lithographs for publisher Eleanor Ettinger and more tellingly, three-dimensional masks
In 1991 Mel channeled his passion for dolls into his own design, Gene Marshall, a sultry movie star doll from the film noir 1940s era. After several years of private development, Gene Marshall was licensed and manufactured by Ashton-Drake Galleries and introduced at the 1995 Toy Fair. Gene was an immediate sensation in the doll world, and within months was second only to Barbie in the burgeoning on-line chat rooms for fashion doll collectors. She was voted by collectors the most important doll since Barbie
In 1999, Hyperion Press commissioned Mel to write and illustrate Gene Marshall’s biography. Gene Marshall, Girl Star was published in 2000 and established Gene as a bona fide three-dimensional character, complete with family tragedy and a believable classic Hollywood bitch rival, Madra Lord. Miss Lord became the second doll in a line that eventually grew to include seven characters. In 2006, the license for Gene was transferred into the capable hands of Integrity Toys where Gene flourished until 2010. Upon Gene’s 15th year in the doll market she “retired” in order to allow Mel the time to focus on other projects.
Also in 2006, Mel renewed his work with Secrets Garden, a series of human-scaled oil portraits of mostly Civil War era dolls, refocusing his interest from the business of dolls back to their esthetics. These paintings are his first two-dimensional work not related to Miss Marshall since the mid-1990s, reflecting his lifelong interest in the mystique of objects that look like life, yet are not
الثلاثاء، 27 سبتمبر 2011
الاثنين، 26 سبتمبر 2011
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